Mo
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大卫·弗兰科尔
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《创造安娜》围绕一温州鼓词网位调查安娜·德尔维一案、迫切想证明自己的记者展开。安娜·德尔维是 Instagram 上传奇的德国女继承人,她赢得了纽约社交圈的欢心,还偷走了他们的金钱。安娜是纽约最大的女骗子,亦或仅仅是美国梦的新写照?在等待自己审讯的同时,安娜和这位记者结成了一种黑暗又有趣、爱恨交织的关系,而后者也在争分夺秒地为纽约秋香怒点唐伯虎国语市的一个最大疑问寻找答案:谁是安娜·德尔维?该剧的灵感来自《纽约》杂志上杰西卡·普雷斯勒的一篇文章《How装绿茶后我爆红了 Anna Delvey Tricked New York’s Party People》。
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Artistaya Arriyawongsa,Theerakhaha Arriyawongsa
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Lior Shamriz
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<年轻人完整版在线观看;p> 以色列導演橫跨韓國與台灣拍攝。神秘熟男回到韓國的家鄉,和年輕帥氣的男服務生相互吸引,當他們面對面全裸之際,卻發現男子的下體竟綁著「牢籠」,到底是BDSM星际争霸2 录像的道具?還是男子的秘密?隨著他的記憶來到了台灣,原來男子曾有個戀人,他們青春的肉體穿梭在台北的街道、金瓜石公路,愛情也成為「牢籠」的承諾?宛若《春光乍洩》裡,何寶榮不如重新開始的諾言,這對台韓戀人播播影院的愛情能走向遠方?
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Niamh McKeown
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Dinosaur follows Nina (Ashley Storrie), an autistic woman in her 30s, who adores her life living with her sister and best friend Evie. However, when Evie rush广西柳州莫菁全集es into an engagement after only six weeks and makes Nina her maid of honour, Nina is floored. Forced to reconcile with her sister’s impulsive decision, Nina grapples with what this new challenge means. Nina’s relationship with her sister isn’t the only change that she’s navigating, as she explores new possibilities in her palaeontology career and a potential new relationship in her own life with the introduction of kind-hearted Lee, who helps Nina to see these 神枪手电视剧new challenges in a more positive light. As their relationship blossoms, we see that Nina helps Lee just as much as he helps her.
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阿里·阿斯加里,阿利雷扎·哈塔米
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生活在伊朗,荒谬是正常。为儿子改名大卫不获批,因名字太西天空影院手机免费观看化;更新驾驶执照被拒,只怪肢体有纹身;汽车遭没收,因为驾车没戴头巾;去应征工人,被要求当场示范拜祭礼仪……两位伊朗80后导演联手执导,以简洁而见巧思的叙事设计,摆定镜头让九名男女大演黑色幽默独脚戏;由诸神的黄昏第一季小学女生、求职中年汉以至失狗老妪,每天不得不面对政府机关、学校、企业卡夫卡式的荒腔走板。政教威权样样禁制,道德枷锁层层施压,最后土崩瓦解的,可会是整个白玉老虎波斯文化根基?
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Joe Lawlor,Christine Molloy
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The latest by powerhouse artist-fil豆奶app官网最新版下载图片mmaker duo Christine Molloy and Joe Lawlor picks up a thread from their last film THE FUTURE TENSE, a soulful investigation of Ireland’s tumultuous history. Here, using the form of a heist movie, they tell the true story of Rose Dugdale (played by Imogen Poots), a young heiress who rebelled against her English aristocratic upbringing to volunteer with the Irish Republican Army. In 1974, Dugdale and her collaborators swiped 19 paintings—including Rubens, Goya, and Vermeer—from a private home, using these treasures as leverage for the liberation of four IRA prisoners. Lawlor and Molloy’s highly atmospheric thriller plunges us into the Troubles with heart-stopping intensity, and Poots is riveting as the revolutionary. Beneath her radical facade, we see her fragility and inner turmoil, as she wrestles with appreciation for the beautiful artifacts of a world she has set out to destroy, and the fear of the chaos she has unleashed.