Alex
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导演:
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Alexis Bloom
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周一晚上,一部尖锐批评以色列总理内塔尼亚胡(Benjamin Netanyahu)的纪录片在多伦多一所爆满的房子前首映,这是TIFF历史上最具爆炸性的纪录片之一,尽管内塔尼亚胡做了最后的努力加以阻止。 由亚历克斯·吉布尼(Alex Gibney)制作、亚历克西斯·布鲁姆(Alexis Bloom)执导的《比比档案》(Bibi Files)包含了内塔尼亚胡因腐败指控接受以色列警方审讯的从未公开的视频,这一调查导致内塔尼亚胡在2019年被起诉。在去年年底泄露给吉布尼的一段视频中,可以看到内塔尼亚胡与审讯人员发生争执,否认他不当接受了包括好莱坞制片人阿农·米尔坎和拉斯维加斯赌场大亨谢尔登·阿德尔森在内的富有支持者的昂贵礼物。警方讯问米尔坎、阿德尔森以及内塔尼亚胡的妻子萨拉和长子亚伊尔的视频也被泄露给吉布尼,并在纪录片中占据重要位置。 周一早些时候,耶路撒冷地方法院驳回了内塔尼亚胡将该片从TIFF放映名单上撤下的企图。总理在诉讼中称,在影片中出演的调查记者、纪录片制片人之一拉维夫·德鲁克(Raviv Drucker)泄露视频违反了以色列法律。但没有证据表明德鲁克是泄密的幕后主使,在首映后,吉布尼明确表示,他不会确定是谁给了他这些材料。在这一点上,他只会说,“一个线人来找我说,‘我有一些录像带’——你在这里看到的审讯视频——‘我想你会对它们感兴趣,也许你可以把它们拍成电影。’”这是在2023年末。我找到了。我看着他们,印象非常深刻。”他说,后来他找了布鲁姆来导演这部电影,布鲁姆曾与他合作过之前的项目。 在纪录片中看到的视频中,紧张的内塔尼亚胡僵硬地坐在桌子后面,面对着至少三名审讯者。当被问及他是否强迫朋友们用高级香槟和顶级雪茄(每盒1000美元)奖励他,以及他是否知道他的妻子收到了米尔坎送的价值4.2万美元的宝石手镯作为礼物时,他经常回答:“我不记得了”。(在影片后期,内塔尼亚胡的朋友谈到他对人名和细节的惊人记忆,含蓄地质疑他在审讯过程中的诚实程度)。 为了这部电影,布鲁姆采访了记者德鲁克,以及其他反对内塔尼亚胡右翼政治的以色列知名人士,还有总理的前家庭工作人员,甚至还有一位老朋友变成的批评者,他说内塔尼亚胡“左倾右倾”。这些观察人士不仅指责内塔尼亚胡严重腐败,还声称他对以色列司法进行了一项极具争议的改革,以逃避司法审判。这部电影表明,针对拟议的司法改革的大规模公众抗议分散了以色列的防御姿态,使该国容易受到哈马斯10月7日野蛮偷袭的攻击。 影片中的几位观察人士声称,内塔尼亚胡对哈马斯采取了“全面胜利”的政策,部分原因是为了安抚他的内阁中极右翼成员,他需要他们的支持才能保持执政联盟的团结。最令人震惊的是,这部纪录片显示,内塔尼亚胡玩忽地抛弃了仍被哈马斯扣押的人质,优先考虑继续袭击,而不是可能导致人质获释的停火谈判。“一场永远的战争符合他的利益,”一位评论家在影片中说——意思是,以色列处于战争状态的时间越长,内塔尼亚胡面临起诉的可能性就越小。另一位观察家评论道:“他想要不稳定。在某种程度上,他需要它。” 如果这幅画像还不够负面的话,布鲁姆告诉TIFF的观众,她从内塔尼亚胡的许多内部人士那里听到了私下谴责他的声音。 “我和内塔尼亚胡非常亲近的人谈过,包括他的前幕僚长,以色列情报机构的前负责人,所有这些身居高位的肌肉发达的人,他们私下和我谈了好几个小时,好几个小时,很多次……他们会说,‘他做的事太可怕了。他太不诚实了,’”布鲁姆回忆道。他说:“他们对内塔尼亚胡的不诚实有着强烈的感觉,以至于他们和我在耶路撒冷的大卫王酒店坐在一起,谈了三个小时,然后什么也没在公开场合说。我认为这是对责任的一种(贬损)。”导演的最后一句话赢得了观众的热烈掌声。 当影片的字幕滚动时,部分观众起立鼓掌(可能占观众总数的三分之一到二分之一)。许多观众似乎对影片对内塔尼亚胡的批评表示同情;一个人打断了问答环节,说:“拿着这部电影,把它空投到以色列上空。因为,否则,我担心人们无法在那里看到它。” 但其他人似乎对吉布尼在谈到内塔尼亚胡时说的话持不同意见。吉布尼说,“我从来没有在这个人身上看到过如此严重的道德腐败。”听了这话,听众中的一个人喊道:“顺便说一下,他还没有被判有罪。”内塔尼亚胡应该在明年接受腐败指控的审判,尽管影片指出,他的法律团队正试图推迟审判,因为总理正在打仗。“他还没有被判有罪,”那人重复道,“所以请准确无误地说。他还没有被判有罪。” 吉布尼绝不是一个畏畏缩缩的人,他反驳道:“我相信我说的是‘道德败坏’。’”TIFF首席纪录片制作人汤姆·鲍尔斯(Thom Powers)主持了问答环节,然后插嘴说:“如果我能要求影院保持秩序就好了。” 《比比档案》(标题指的是内塔尼亚胡的昵称“比比”)正在寻求发行。从技术上讲,它是一部正在进行中的作品,但在介绍这部电影时,鲍尔斯说,除了色彩校正和其他相对美观的后期制作之外,它已经完成了。布鲁姆一直在制作这部电影,直到最后一刻,他还加入了内塔尼亚胡最近在美国国会联席会议上讲话的摘录。她说,既然电影已经举行了全球首映,她将考虑可能的修改。 吉布尼说:“我想说的是,在巨大的压力和极高的速度下,亚历克西斯和他的团队非常迅速地完成了这部电影。”“有那么一刻,你想看这部电影,然后说,‘这能不能有点不同?会有一点不同吗?’但是这部电影是否会改变,或者如何改变,完全取决于亚历克西斯。” 吉布尼说,他希望《比比档案》在TIFF首映,这样潜在的买家就能在节日氛围中看到它。他表示,希望能在短期内将其捡起并及时释放。
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Josh Bear
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As the staff of Good Friends Church 女主直播给粉丝脱内衣Camp prepares for a spring break filled with "Fun Under the Son", a demon logger rises from his sap boiler to wreak his vengeance and feast on flapjacks soaked in the blood of his victims.@www.molikan.com
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威廉·弗莱德金
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退役前,邦·汉姆(汤米·李·琼斯 Tommy Lee Jones 饰)是一名特种兵训练教官,凭借着自己出色的身手和丰富的野外生存经验,邦·汉姆训练出了一支战斗力和破坏力的极其强大的特种精英部队。城市周边发生的几起谋杀案让居民们陷入了恐慌,负责该案件的女探员艾比(康妮·尼尔森 Connie Nielsen 饰)找到了早已远离江湖的邦·汉姆,希望他能够协助她破案。 经过了一些列的调查和追踪,邦·汉姆发现凶手的作案手法和风格与自己十分相似,那也就意味着,这个嗜血的凶徒,很可能就是自己曾经教导过的学生。渐渐的,一个名叫亚伦(本尼西奥·德尔·托罗二婚交友 Benicio Del Toro 饰)的男人的身影浮出了水面,他正是凶手本人,而他所作的这一切不为了别的,只为了引诱邦·汉姆再度出山。
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Jake Hickman
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From war, Japan began to show technological prowess like the world had never seen. After a shocking betrayal, Sony founded that which would become the world's most successful chain of videogame consoles. The PlayStation was here to stay. Production company: Entertain Me Productions Producers: Brian Aabech
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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Alex Helfrecht,Jörg Tittel
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Djata is a care-free 12-year-old growing up in the dystopian Homeland. When he finds out that his father Peter has been imprisoned by the authorities and he and his mother Hannah are labeled traitors, Djata vows he will not rest until he sees his father again.
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伊恩·邦霍特,皮特·艾德盖
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前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪,只能依靠呼吸机呼吸,此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特(Ian Bonhôte)和彼得·埃特迪吉(Peter Ettedgui)巧妙地将时间前后推移,编织出双重叙事,探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变:1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前,里夫让世界相信人类可以飞翔;他的意外事故让全世界关注残疾。 在《超/人》中,里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众,突出了超人背后的那个人——这不是一部传记,而是一幅完整的肖像,涵盖了里夫人生旅途中的辉煌和黑暗。
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恩斯特·德吉尔
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Vera and André are a couple who get the chance to pitch their business at a prestigious competition. Before the competition, luca韩剧Vera tries hypnotherapy沙漠之心 to quit smoking, with an unexpected side effect: she loses all social inhibitions. André has a hard time dealing with this. When it risks ruining his 英雄联盟大脚战斗力查询career, he’s torn between accepting her new personality and taking drastic measures to make her stop.